“Show don’t tell” is a well worn instruction in literary teaching and “Dramatise, don’t surmonize” is a version of the instruction, which has been issued to aspiring filmmakers who wish to convey a moral message.  but some films choose to neither show nor tell but rather to allow an audience to drawn their own conclusions.  Let’s call […]

Rapper / Producer Boots Riley’s directorial debut is evidence of a singular vision, years in the making which is completely unique in style.  Ostensibly a Comedy about the moral dangers of greed, Sorry To Bother You  sets out its stall early as a kind of dream-like hyper-reality which becomes increasingly twisted.   “From the sublime to the ridiculous” may […]

Money Monster has an interesting premise.  The arrogant, show-off Anchor of a popular Financial TV show is taken hostage live on air by a viewer who followed the advice of the show to a ruinous end. Initially it seems there’s a chance to see something different here.  Chiefly, Clooney playing an unlikeable character.  Very soon however, the promise of […]

What happens when a criminal mastermind, an indestructible hero and a man with 24 distinct personalities are captured and locked in a facility together?  What happens when the director who gave us ‘The Sixth Sense’ is on the verge of his own cinematic universe? The answer to both is very little.  Glassis largely a talkfest of ‘on […]

With Velvet Buzzsaw, Dan Gilroy succeeds in simultaneously subverting melodrama and slasher film as devious and deluded characters are slowly consumed by the art around which their world revolves. While installations, paintings and ghastly portraits pervade both scene and story, Gilroy’s double helix of character arcs, drawn from a clique for whom Art is a […]